lucretia ♡ (
scholiast) wrote in
riverviewlogs2017-10-11 11:28 am
(open) like i was never there
who: lucretia & you!
what: october memory share event
when: 9/10 to 23/10
where: all over
warnings: n/a yet, will update if things get intense
OPEN MEMORIES:
(these memories are all open for anybody to experience! if you'd like them to be shared flick me a message/just reply and we can sort it all out as we go haha. also feel free to text lucretia to let her know you saw one of her memories if u like and we can do it that way too :-) basically i am down for whatever way you wanna interpret these! if you'd like a specific memory or something a little more personal on lucretia's end feel free to hit me up on plurk at blisters and we can sort something out! ♡ )
#1 - beyond the oceansize, i'm unaware (first or third person: happy, relaxed)
(This memory starts out with the bright sun, high in the sky, and slowly unfolds to reveal a tropical scene set out before the viewer, complete with crystal clear ocean, and white, sandy beaches. This is the first Captain Davenport appointed mental health year Lucretia and her crew experienced, after they were quick to capture the light of creation within a day or so of arriving on this world. They were able to write the rest of this cycle off and spend it relaxing by the beach, cooking for each other, swimming, taking time off from fighting off the apocalypse.
During this particular memory, Lucretia is sitting out on the sands, wearing a big floppy sunhat and sandals. She still has her bathing suit on underneath her shorts, as she's been alternating between swimming and sunbathing all day, and generally having a really good time; now, she's got a big sketchpad propped in her lap, and she's sketching with large, loose gestures, just laying down the base of what is later going to be an elaborate portrait.
The memory meanders along, but follows her careful completion of the painting: when it's done, the portrait sits propped on an easel in her quarters, a dedication to the members of the IPRE. Lucretia's family. She is in the middle, holding her book and slightly hunched. Magnus has his arm about her, a broad grin on his face; Davenport, their Captain, is in the front, looking proud and impressive in his tailored jacket. Lup and Taako are arm in arm, and Lup has her other arm flung around Barry's neck, pulling him in close. Merle looks like he's in mid-laugh, turned to face the twins. They're all in their red robed uniforms, but everybody looks so happy, so relaxed.)
#2 - as we stood tall together: first person (proud, nostalgic)
(The second memory is from a much later cycle, no less important than the first. It takes place at the Legato Conservatory, during the ceremony wherein students of the Conservatory submit various works to the Light of Creation in the hopes they will be accepted so they may be granted access to the mysterious caves grouped about the mountain. The criteria for works selected isn't entirely clear, because, unbeknownst to Lucretia and the rest of the Star Blaster crew, the submissions are reviewed and consumed by Voidfish living in the caves. If the submissions are accepted, the Voidfish choose to broadcast those works to the world at large and everybody in it. The submissions, in this way, become immortalised amongst the people who live there. If the Voidfish does not like the submission, it is erased from memory as if it never existed in the first place, so there's a bit of pressure riding on the whole situation.
Lucretia has just submitted a painting to be reviewed: a detailed depiction of a famous city market square from her hometown. Despite having not seen it in fifty years, the painting is remarkably detailed, lovingly so, and even though she's nervous about presenting it to the Light of Creation, it's clear that she's really proud of the work that she's done.
This memory is tinged with a sad sense of nostalgia for her long gone home planet, though it is swiftly replaced with overwhelming pride and excitement when the Voidfish accepts her work, and promptly broadcasts the painting into the minds of everybody on the planet.)
#3 - oh my friends, i am heavy (third person: anxious, uncertain)
(The final memory is of a different nature entirely.
This memory details Lucretia sitting cross-legged on the floor of her quarters on the Star Blaster and she is surrounded by books. Countless journals lie open on the floor and she is sifting through them with shaking hands, a fresh journal propped open on her lap. She has a quill in her left hand and every so often she pauses to scratch out a new line in accordance with something she's just read.
She is compiling every scrap of information into a final journal, one that she will eventually feed to the ship's Voidfish, causing her crew members to forget everything that had happened to them over the last one hundred years. Picking what to keep and what to erase is difficult. There are a lot of memories to sift through, and not all of them are good. Sometimes she has to pause to collect herself; other times she stops writing so she can laugh, soft and fond.
Lucretia has already been at this for half a week without pause: she is tired, and overwhelmingly anxious. But there is a strong current of determination underneath of it all that keeps her going, despite the difficulty of her task. This memory isn't as exciting or fast-paced as the other two: just a long vignette of her pouring over almost one hundred years worth of words as Lucretia tries to reconcile with herself the magnitude of what she is planning to do.)
what: october memory share event
when: 9/10 to 23/10
where: all over
warnings: n/a yet, will update if things get intense
OPEN MEMORIES:
(these memories are all open for anybody to experience! if you'd like them to be shared flick me a message/just reply and we can sort it all out as we go haha. also feel free to text lucretia to let her know you saw one of her memories if u like and we can do it that way too :-) basically i am down for whatever way you wanna interpret these! if you'd like a specific memory or something a little more personal on lucretia's end feel free to hit me up on plurk at blisters and we can sort something out! ♡ )
#1 - beyond the oceansize, i'm unaware (first or third person: happy, relaxed)
(This memory starts out with the bright sun, high in the sky, and slowly unfolds to reveal a tropical scene set out before the viewer, complete with crystal clear ocean, and white, sandy beaches. This is the first Captain Davenport appointed mental health year Lucretia and her crew experienced, after they were quick to capture the light of creation within a day or so of arriving on this world. They were able to write the rest of this cycle off and spend it relaxing by the beach, cooking for each other, swimming, taking time off from fighting off the apocalypse.
During this particular memory, Lucretia is sitting out on the sands, wearing a big floppy sunhat and sandals. She still has her bathing suit on underneath her shorts, as she's been alternating between swimming and sunbathing all day, and generally having a really good time; now, she's got a big sketchpad propped in her lap, and she's sketching with large, loose gestures, just laying down the base of what is later going to be an elaborate portrait.
The memory meanders along, but follows her careful completion of the painting: when it's done, the portrait sits propped on an easel in her quarters, a dedication to the members of the IPRE. Lucretia's family. She is in the middle, holding her book and slightly hunched. Magnus has his arm about her, a broad grin on his face; Davenport, their Captain, is in the front, looking proud and impressive in his tailored jacket. Lup and Taako are arm in arm, and Lup has her other arm flung around Barry's neck, pulling him in close. Merle looks like he's in mid-laugh, turned to face the twins. They're all in their red robed uniforms, but everybody looks so happy, so relaxed.)
#2 - as we stood tall together: first person (proud, nostalgic)
(The second memory is from a much later cycle, no less important than the first. It takes place at the Legato Conservatory, during the ceremony wherein students of the Conservatory submit various works to the Light of Creation in the hopes they will be accepted so they may be granted access to the mysterious caves grouped about the mountain. The criteria for works selected isn't entirely clear, because, unbeknownst to Lucretia and the rest of the Star Blaster crew, the submissions are reviewed and consumed by Voidfish living in the caves. If the submissions are accepted, the Voidfish choose to broadcast those works to the world at large and everybody in it. The submissions, in this way, become immortalised amongst the people who live there. If the Voidfish does not like the submission, it is erased from memory as if it never existed in the first place, so there's a bit of pressure riding on the whole situation.
Lucretia has just submitted a painting to be reviewed: a detailed depiction of a famous city market square from her hometown. Despite having not seen it in fifty years, the painting is remarkably detailed, lovingly so, and even though she's nervous about presenting it to the Light of Creation, it's clear that she's really proud of the work that she's done.
This memory is tinged with a sad sense of nostalgia for her long gone home planet, though it is swiftly replaced with overwhelming pride and excitement when the Voidfish accepts her work, and promptly broadcasts the painting into the minds of everybody on the planet.)
#3 - oh my friends, i am heavy (third person: anxious, uncertain)
(The final memory is of a different nature entirely.
This memory details Lucretia sitting cross-legged on the floor of her quarters on the Star Blaster and she is surrounded by books. Countless journals lie open on the floor and she is sifting through them with shaking hands, a fresh journal propped open on her lap. She has a quill in her left hand and every so often she pauses to scratch out a new line in accordance with something she's just read.
She is compiling every scrap of information into a final journal, one that she will eventually feed to the ship's Voidfish, causing her crew members to forget everything that had happened to them over the last one hundred years. Picking what to keep and what to erase is difficult. There are a lot of memories to sift through, and not all of them are good. Sometimes she has to pause to collect herself; other times she stops writing so she can laugh, soft and fond.
Lucretia has already been at this for half a week without pause: she is tired, and overwhelmingly anxious. But there is a strong current of determination underneath of it all that keeps her going, despite the difficulty of her task. This memory isn't as exciting or fast-paced as the other two: just a long vignette of her pouring over almost one hundred years worth of words as Lucretia tries to reconcile with herself the magnitude of what she is planning to do.)

for spellslots ♡
The second clue is that Taako is standing a few feet away from her, to her left.
She registers his presence with a horrible wave of dread. No, not this. Anything but this. These are memories she doesn't ever want to share; the only cycle she never wrote down. Despite the knee-jerk reaction to run, to magic herself out of the situation, she knows that escape is impossible. She will have to ride this one out, and try to deal with knowing that Taako is about to see her at her lowest, her most vulnerable. The thought of that deeply scares her for some reason.
She doesn't go to him, simply turns to look at the Starblaster again in silence, her posture rigid and anxious.)
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After watching himself lose Lup all over again, it's a little harder to offer her anything but a glance.]
I guess we're doing this shit, huh?
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She's calling for the others, and Lucretia remembers that confusion with crystal clarity, the terror of being unable to find her friends and the strange, stilted hope of there being no bodies. Perhaps they had been flung off the ship. Maybe somebody had teleported, or... or maybe she was the last to wake up and they'd all gone off to try and find some help.
When the younger Lucretia finally appears she looks worse for wear: bloodied and terrified, her hands shaking as she trails a scraped hand along the dented hull of the Starblaster. There is a large tear in the side of it where something had ripped through the metal and for a moment she simply stands and stares at it, clearly shocked.)
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Instead of commenting on the scene in front of him, he says:]
The judges are dead, guess it's not quite the same since they'd already gotta fucked up by the Hunger, but they got taken down.
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(It's all too much for Lucretia: the memories, the tension between them left over from something else entirely, the way Taako won't look at her. She's finding it hard to speak. It's an old, familiar panic.
The younger Lucretia looks like she's on the verge of losing what little calm she has left. Slowly, slowly, she forces herself to breathe, hands curling and uncurling at her sides, fingernails pressing into her palms to ward it all off– and then she abruptly heads back into the Starblaster.
And then memory fades out. At first, Lucretia thinks it is over, and she relaxes; but the scene swirls back into focus, two weeks later. Now they're inside the Starblaster and staring at the rip in the hull from the inside out and Lucretia is surrounded by books, the sleeves of her IPRE jacket shoved up her arms as she considers a blow torch with apprehension. Fisher is there in its tank, silently watching. There's a half-eaten apple perched on a copy of Barry's notes on the ship, Davenport's sloppy cursive occasionally intersecting his writings.)
I couldn't find anything else. (She says suddenly, but she doesn't look at Taako.) All that time on the ship and I had no idea how to fly it outside of the basics Davenport taught us at... at the beginning, during the uh, the regulated briefing. Remember? (The VHS tape, the way Davenport had made them take a quiz afterwards, had run them through various emergency scenarios. By the time it had come for Lucretia to put this into actual use, she was trying to rely on information she'd been taught sixty-four years ago.)
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How could I forget.
[There's no anger in his tone, it's just cold.]
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for dancingmd ♡
In the memory, Lucretia, thirteen years old, has her head cushioned on her mother's lap. They are both on the couch in her childhood home, and Lucretia's eyes are closed as her mother runs a hand light across the side of her head, fingers tangling in her daughter's curls. Lucretia is not quite asleep, only planning on resting her eyes. When her mother had bade her to come and sit she hadn't anticipated taking a nap on her, something she hasn't done since she was much, much younger. She still has a book clasped in both her hands, page marked stubbornly with her thumb.
But she's happy. The memory is content, and warm. It's a short and sweet moment that lasts the length of her mother's song, because after that Lucretia accidentally does nod off for a bit; then, it fades out again.)
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Hmmm. What song is that?
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(Beverly looks up from beating the eggs and smiles at her sleepy lady. This domesticity is... nice. She hasn't had something like this since she was living at home with Nana. Even with Jack, they were often so far apart from one another on duty, they didn't really get much of a chance at this.)
I don't know. I've been trying to place it - I had a dream about it last night and now I can't get it out of my head.
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(She glances back at her crossword, brow furrowed as she taps her pen against her mouth. Beverly's right: it does sounds familiar, and Lucretia can't quite place it, though it's on the tip of her tongue. She's humming the song as she fills in another word, and a couple lines of song even come to the forefront of her mind before she makes the connection and looks up at Beverly, surprised.)
My... my mother used to sing me that song. You had a dream about it? (Weird coincidence? Or...)
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...
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for umbrastaff ♡
This time, thankfully, they're both watching something far less traumatic that her cycle alone play out in front of them. They are following along as Lucretia takes it upon herself to go and check on Merle, Magnus and Taako almost a full year to the date after she had left them behind. It's a strange memory, bittersweet about the edges.
Lucretia glances across and notices Lup standing there, watching; she turns her gaze back towards herself as she makes her way across the beach to where Merle can be seen, sitting out by the water's edge. He looks really content; far more so than he has recently, and like he's been getting a lot of sun. He's sitting in the sand with another dwarf: Hekuba. They're holding hands and clearly chatting amicably, their heads bowed together, but the memory-Lucretia hadn't dared to get any closer from her sneaky spot further up the beach and so any conversation between just sounds like soft mumbling.)
You know, I... I only lead him to half of this, (the real Lucretia says after a moment, addressing Lup even though her fond gaze is still on Merle and Hekuba, a tinge of sadness in her eyes. She misses him, more than she can say.)
I took him to the beach, but he carved this... this little life out for himself. Taako told me he has kids.
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Here, she is dream-flesh, blue eyes fond as she watches Merle on the beach with this woman. It's hard to believe that their weed grandpa plant-fucker has little mini-hims, honestly. Yet she hopes Merle has something beautiful like this to come back to after everything.
He's not running, and seeing this, she fully understands why.]
It's beautiful here, Luce. You picked a good spot.
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(The setting reminded her of the beach planet, and how Merle had been so happy there, so. She did what she could. It's melancholy, to watch Merle sit with his feet in the water. She glances away, over at Lup instead.)
I wanted to find somewhere I hoped he could make a temporary home of, but... well, I suppose it ended up becoming more of a permanent thing, huh.
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Adorable, but hella gross.]
They made a home for themselves thanks to you.
[She shrugs.]
All in all it was a bad call in general, but at least Maggie and Merle got something good out of it.
[Later struggles aside, that is.]
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Don't– say it like that. (She isn't used to being thanked for anything, and still isn't sure if she ever should be. Maybe they did get something out of it, that's true, but... well, she didn't give that to them. They took that for themselves out of the mess she made of their lives.
Lucretia is still contemplating this when the scene starts to change. Her head shoots up to catch a last glimpse of Merle and Hekuba before they disappear in a swirl of memory.)
These dreams are so strange.
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for dothelokimotion ♡
She spends long, frustrating afternoons trying to bend the perimeters of the spell: at first she thinks that the magic just won't let her. There are times she gives up, throwing her wand on the ground in frustration and stalking off, but she always returns to collect it again and give it one more go- just one more- which always stretches into two tries, three, four, five...
Almost all of these attempts are recorded in one of her many journals. The memory culminates in her first real progress: when she casts the spell, her shield shimmers, ripples in the air, and then slowly curves into a half-sphere. It bursts like that and rains a shower of sparks down upon her but Lucretia is overjoyed: she stares at where the shield had disappeared for a beat, and then she jumps, punches the air with a whoop of triumph.
She's so close. She stops briefly to make notes, and the memory fades out as she readies herself to try again.)
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You truly love your craft.
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This is just straight up a brag now, but like. Hey, if she's proud of herself for anything it's that modified shield of faith spell.)
I changed the magic. That spell is one hundred percent my own– nobody else has ever cast anything quite like it. It's one of my greatest achievements.
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[ It is fascinating to him, the way other people use magic. And . . . freeing to have people to talk to. ]
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(It's quite hard to explain, actually. It's one of those things she just did out of stubbornness, and because the vision she had of what she wanted was clear enough for her to be able to twist the energy into what she wanted it to do.)
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god i laughed
fuck marvel magic in the ear!!
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take a shot every time i use the word level
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#3!!!
So he's left to watch, not daring to get too close, lest he interfere (he learned his lesson on that a long time ago) but still trying to crane his neck to see exactly what it is she's so steadfastly writing. There's an emotional push behind it, but not the kind he'd expect from someone just writing in their diary about how their day went.
She looks tired. ]
What are you even writing...?
[ He says it more to himself, partially muttered under his breath, as though he's asking himself, or like he's trying to puzzle out a scene in a movie. ]
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She opens her mouth, shuts it again. Opens it for a third time.)
Who– what are you doing here?
(This planet is inhabited, isn't it? Honestly, she's been cooped up in the Starblaster ever since they placed the relics, so she's a little unfamiliar with what lays outside of it.)
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Hopefully.
And if there is, well. He's already done it... ]
Uh. Hi there! I'm... lost? [ He doesn't sound sure of it himself, but it's the first thing he can come up with. ]
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(She sounds disbelieving as she hugs the journal defensively to herself. Her things are still spread out around her in a wide circle and she hurries to flip some of the journal covers over to stop him from seeing, but he isn't trying to look at her books. He does look lost, staring around at her room as if wondering how he got there.)
How did you get on the ship?