Laura | X-23-23 (
shoplifter) wrote in
riverviewlogs2017-12-21 02:08 pm
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[OPEN] shitty situations for all, and for all a good nighttime stab
who: Laura and you.
what: ... Trouble, mostly...
when: Now-ish.
where: Multiple Places! Mainly roof, outside of wall, and on the skytram.
warnings: Blood, violence, gore. Stabby things. EDIT: Also, talk of self harm in Ivar thread.
Laura fights near the wall, Laura takes a tram, Laura has a bad dream while looking for santa at night.
... Also, bloody situations and digging out of a giant animal corpse. It's gross, I know.
Bracket and prose both A-OK, and time and space can be bent, I'm chill. The last prompt is for medium injuries if you wanna hurt your character, because everyone loves getting stabbed by children. Or if your character is a magic healer, feel free to get stabbed real gud and heal up or what have you. (Basically I'm just avoiding severe injury or death before Christmas okay).
Shitty Situation A
[Red splatters on the snow when her claws spear through the first creature's head -- some sort of hybrid beast, one that hunts for food, whose pack has strayed far from the darker areas of the abandoned area and closer to the wall. They surround her because she looks like easy food in the colder, needier climate, and the fight is on. The child growls when they growl back, and she leaps on one of their backs, hacking and slashing with reckless abandon.
They get in their own claw marks, too. Laura's shirt and jeans get torn into, skin as well. It hurts awfully, but Laura's more offended that they're ruining her cool cat shirt.
Her cool neon hat goes flying off in the breeze, carried over sloping snowy hills.
When she kills the last beast, which is considerably large -- the size of an elephant, the alpha, maybe -- it falls right on top of her. Luckily, her claws were out, and... uh... if you're unlucky enough to have found her after the fight instead of during, you will be unfortunate enough to watch a small clawed girl burst through the top of the beast's ribs, covered in blood from her... tunneling...
Just. Um. Yeah. Victory, I guess.]
Shitty Situation B.
[Laura stands in a skytram car, one hand curled on a metal bar. She's covered in dry blood, head to toe. All of the other passengers keep a very far distance around her.
... She's trying to head to the clothing store.]
The One Chill Situation.
[She sits on the roof, binoculars in her hands, watching the sky skeptically as the daylight fades. It's pretty cold up here, but she doesn't seem very bothered, wearing a few jackets and a good pair of boots. Got a red nose, too, but otherwise undaunted by the weather.
She falls asleep up there by accident, curled in a sleeping bag she apparently bought just to do this very thing. Trying to catch any signs of a 'santa' figure in the night, it seems.]
Shitty Situation C. (alternatively: like father like daughter)
[Nighttime.
She rolls a little in her sleeping bag, plagued by bad dreams. Little unintelligble mumbles escape her, sweat on her brow and hands in tight fists in the slippery fabric. She jostles enough that the action figures tucked away with her topple out.
No... stop it...
[The rest is Spanish -- "don't touch me, leave them alone, dad, help me"--
If one attempts to reach out and wake her -- they better have good reflexes. Because she will jackknife immediately up with a hoarse scream, claws out and lunging to stab at her fantasy captors.]
what: ... Trouble, mostly...
when: Now-ish.
where: Multiple Places! Mainly roof, outside of wall, and on the skytram.
warnings: Blood, violence, gore. Stabby things. EDIT: Also, talk of self harm in Ivar thread.
Laura fights near the wall, Laura takes a tram, Laura has a bad dream while looking for santa at night.
... Also, bloody situations and digging out of a giant animal corpse. It's gross, I know.
Bracket and prose both A-OK, and time and space can be bent, I'm chill. The last prompt is for medium injuries if you wanna hurt your character, because everyone loves getting stabbed by children. Or if your character is a magic healer, feel free to get stabbed real gud and heal up or what have you. (Basically I'm just avoiding severe injury or death before Christmas okay).
Shitty Situation A
[Red splatters on the snow when her claws spear through the first creature's head -- some sort of hybrid beast, one that hunts for food, whose pack has strayed far from the darker areas of the abandoned area and closer to the wall. They surround her because she looks like easy food in the colder, needier climate, and the fight is on. The child growls when they growl back, and she leaps on one of their backs, hacking and slashing with reckless abandon.
They get in their own claw marks, too. Laura's shirt and jeans get torn into, skin as well. It hurts awfully, but Laura's more offended that they're ruining her cool cat shirt.
Her cool neon hat goes flying off in the breeze, carried over sloping snowy hills.
When she kills the last beast, which is considerably large -- the size of an elephant, the alpha, maybe -- it falls right on top of her. Luckily, her claws were out, and... uh... if you're unlucky enough to have found her after the fight instead of during, you will be unfortunate enough to watch a small clawed girl burst through the top of the beast's ribs, covered in blood from her... tunneling...
Just. Um. Yeah. Victory, I guess.]
Shitty Situation B.
[Laura stands in a skytram car, one hand curled on a metal bar. She's covered in dry blood, head to toe. All of the other passengers keep a very far distance around her.
... She's trying to head to the clothing store.]
The One Chill Situation.
[She sits on the roof, binoculars in her hands, watching the sky skeptically as the daylight fades. It's pretty cold up here, but she doesn't seem very bothered, wearing a few jackets and a good pair of boots. Got a red nose, too, but otherwise undaunted by the weather.
She falls asleep up there by accident, curled in a sleeping bag she apparently bought just to do this very thing. Trying to catch any signs of a 'santa' figure in the night, it seems.]
Shitty Situation C. (alternatively: like father like daughter)
[Nighttime.
She rolls a little in her sleeping bag, plagued by bad dreams. Little unintelligble mumbles escape her, sweat on her brow and hands in tight fists in the slippery fabric. She jostles enough that the action figures tucked away with her topple out.
No... stop it...
[The rest is Spanish -- "don't touch me, leave them alone, dad, help me"--
If one attempts to reach out and wake her -- they better have good reflexes. Because she will jackknife immediately up with a hoarse scream, claws out and lunging to stab at her fantasy captors.]
ill take shitty situation B
She's not crying. That doesn't quite strike him as too strange, though. His experience with kids is limited to what he knew as a kid, and future stormtroopers don't cry. If they do, they learn not to. Maybe it's just how things are for her, too.
The fact that nobody has approached her, that they're keeping their distance when she's alone, could be hurt or in trouble: that makes him bristle. They're all right there. It's not like it's hard. Finn's "keep a very far distance" sensors have different standards than some.
So Finn elbows his way through the passengers that have crammed themselves into too little space to give her a wide berth, until he's standing opposite her with his hand on another pole. He gives the tram a little scan, looking for anything or anyone that jumps out as suspiciously involved in this situation. Frankly, a blood-covered child is the most suspicious thing in here. But he wants to check to be sure, and while he's looking-- ]
I can help you if you need help. Are you okay?
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I'm okay.
[Laura doesn't sound scared or anything, not of the situation or of a stranger wandering over to see how she's doing. She does wipe the back of her hand under her nose to stop an itch. Slightly more disappointed, she huffs:]
... I just need more clothes...
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She's okay, she needs clothes. (He's not sure he completely believes the former yet, but the latter does speak for itself.)
Something about the matter-of-fact way she addresses it, that huff in her tone, makes him think of Rey. He tries to be matter-of-fact back, which isn't too hard for him to manage. ]
Okay. We can fix that pretty fast once this thing stops. Here--
[ Finn shrugs off his jacket in the meantime, well-worn and sporting a long line of stitches across the back, and offers it to her. ]
You can borrow this until then. If you want.
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... Gracias.
[She starts pulling off her jacket and shirt, hope you're good at turning your head 180 degrees in an instant. She doesn't particularly know much in the way of social formalities. Like not stripping bloody clothes in public. But she gets it on and zips it up, thin arms drowning in it.
... Huh, it is pretty cool.
So. Bloody jeans still, but now she looks a little less terrifying.
Her hair is a little... ehh... uh... but. Better.]
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a yo
That sure is a little girl bursting out through the chest of a creature, spewing blood and tissue everywhere.
Ah.
She's not disgusted or shocked by the sight; mostly, she's startled when she realizes that she recognizes said blood-covered girl. ]
Laura?!
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The bloody
horrorchild walks over, undisturbed.]... Hola.
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(Something in her chest aches, because she can relate to being this small and covered in blood; she hates to see another child take to it so easily.) ]
What are you doing out here?
[ No “are you okay?” or any admonishment; Laura can clearly handle herself, but Gamora is more concerned with what’s brought her out in the first place. ]
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a (cw lots of monster killing and gore)
He's almost worried that this day will end, once again, without either a fight or a glimpse at any beasts. That is until he heard the unmistakable sounds of a fight.
To his credit, he only hesitated for half a second when he came upon a young girl with, what looked like, knives coming out of her hands fighting massive monsters. Now wasn't the time to stop and wonder what was happening, he let instinct and training take over.
He wasn't as agile as she was and he certainly didn't have any kind of healing abilities, but he had an axe and shield and if he was going to die this day then it would be in the glorious blaze of battle. He immediately buried his axe in the skull of the closest monster, turning to block the claws of another with his shield as he yanked his weapon lose. The give and take of battle continued until all of their enemies were dead. Ragnar finished off the last one near him and turned just in time to see an absolutely massive individual fall dead on the young girl. He tried to yell to warn her, but it was far too late. Grimacing, he ran over, dropping his shield, and at first, tried to simply push the thing. It was quickly evident that he'd make no headway that way, so he started chopping. He'd barely gotten a swing in when she burst her way out of the thing, sending more gore flying everywhere.
He offered her a hand, ready to help pull her clear of the carcass.]
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On her back, there's a deep, ugly claw mark, reaching the bone of her shoulder blade. It makes her hiss when it pulls — but before any concern can be brought to light, the wound appears to be knitting together on its own, muscle and tissue mending into unscarred flesh.]
Gracias. [Manners.] You are a good fighter.
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The compliment made him smirk a bit.]
You as well. That is a very useful trick. [He motions towards her shoulder.]
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Shitty situation C.
So here he was, in just a black hoodie and a stolen grapple gun. True, it wasn't the same thrill as when he had a uniform, but he'd have to make due. The air he got from flipping off the roof though was still great. He smirks as he feels his grapple snag as he's falling, just saving him from a very painful landing on the pavement below and propelling him forward.
He missed the feeling of flying. With a smirk, he looks pleased when he lands on the next roof. That is until he catches a muffled sound and something moving in his peripheral the put him immediately back on edge.
It was mumbles in Spanish. While he knew the language it was a bit hard to make out from the huddled mass in the sleeping bag. But he did catch "Ayuadame". 'Help me.'
So, yes he does walk over to nudge the sleeping bag and is very lucky for his quick reflexes keeping him from getting impaled.]
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Look out, buddy, avoid that foot and hand, they've got sharp bits on 'em...!]
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He instinctively dodges the kick and counters with a punch towards the girl's face. Well, that's not how you make sure someone is okay, but, one has to defend themselves when sharp pointy things are coming at you, right?]
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C
He watches her for a few moments as she mumbles in that strange language he's heard other people speak here. She's clearly in the middle of a bad dream, so he does the decent thing, and wakes her up. He's not expecting what happens next.
When she flings herself upwards as if being attacked, Ivar knows he's not agile enough to move out of the way. Almost as fast as her claws come out, he's raising an axe up, an instinct ingrained all the way down to the bone. Her claws stab into his shoulder, but his blade catches them so they don't go more than halfway. A grimace of pain appears on his face. Really, he just got healed up from a broken leg and now this happens? This was just not his month.]
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She sits there, the toothy growl fading into one of confusion. Her eyes move from Ivars face to the shoulder — twice, sharp jerks of her head — before she scrambles back and lets the claws side back into her straightened wrist and arm. Did she—?? She swallows hard, staring, and (not for the first time in her life), she has no clue how to approach this situation. She can think of dozens of ways to finish him off, to kill him completely, but she can't — think of what comes next, what normal responses are to something that is not at all a normal thing to do. And she doesn't want to kill Ivar; she likes Ivar a lot. It's with that, that an icy feeling forms in her stomach.
So she. Stares. And waits.
For... something to happen.
Whatever happens.]
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Ow.
[He takes hold of his sleeve and jerks hard on it, tearing the fabric. He winds it around his shoulder and presses down, putting pressure on the wound as blood continues to ooze out. But he doesn't really seem mad or upset.]
You're quite a spitfire with those claws.
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this is just what happens on the b train i guess
[he's also witnessing the way not a single person approaches her, though he sort of can't blame them. she's giving off a very dangerous air and she's covered in blood and most people.... don't see that and get curious. they get scared.]
[cassian slides into a seat across from her, because getting himself lower and closer to eye level is a good first step. she doesn't look injured, and all the blood seems to be dry. but sTILL.]
Do you mind if I ask where you are going?
[generic question to start. he needs to get a better feel for her before he figures out how to handle this.]
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... Somewhere with new clothes. I got in a fight.
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With what? [he doesn't bother asking if she won. that much is obvious. he's still worried after her, but so far she's talking to him easily and he doesn't want to jinx that, so he'll keep being casual about it.] Is it dead?
[there's so much blood, ok! he hopes it's dead.]
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c. because this is the best way to meet people, right?
She recognizes a nightmare when she sees one (she is intimately familiar with the having them), and wastes no time in going to the young girl’s side. She doesn’t speak Spanish (or even know what Spanish is, truthfully), but the young girl is in distress and it’s her nature to try and help.
When the girl snaps upright and lashes out Iona doesn’t have a chance to move out of the way; she’s fast, really bloody fast, but her focus is on the girl, not herself. The blades – claws? – she’s never seen anything like that before, not made of metal, sink into her shoulder and she makes a soft sound of pain.
But she still thinks about the girl, first. She can tend to her injuries in a moment, once she’s sure the girl is awake, and all right. For certain quantities of all right, probably.]
It’s okay. I’m not going to hurt you. You were having a nightmare.
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She stares, looking between the embedded claws and the person, shaded but visible in the moonlight.
What... When...]
... I was...
[Her stomach flips and she pulls her claws back into her body, freeing Iona — and luckily, she had missed any major vessels that could've bled her out. Laura doesn't want to think about that, no, she just scrambles back a little for distance; her face reads that of someone who's stunned first and foremost.]
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It’s okay. I’m okay. Promise.
[And she is. Or she will be. She’ll tend to her injuries later. When the girl scrambles back, putting distance between them, she doesn’t press her, doesn’t move closer. Just watches her, worried.] Are you all right?
Sorry for the long wait! Vacation dragged me off!
No worries!
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B
Laura?!
[ It took Cisco a moment to recognize her - she looks a lot different, without the laser tag gear, and also, covered head-to-toe in blood. It's in her hair, all over her face, and her arms especially are drenched. She looks like she's been through hell and back, and Cisco goes into instant crisis mode. He crouches down near her, asking in rapid-fire, frightened Spanish: ]
Oh my god, you're hurt, what happened?! We need to get you to the hospital - you should sit down - where were you, what...?
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Or most places. Despite the bloody tears in her jean jacket and pants and shirt, she shakes her head.]
It is okay; I'm not hurt.
I got into a fight with monsters.
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What, outside the wall? And you're sure you're okay?
[ Sure, she'd been quick and dextrous when they were playing laser tag, but that was laser tag! She is a kid! She shouldn't be getting into fights with anyone, let alone fights with monsters that leave her covered in blood from head to toe! ]
And you... won? What were you doing out there, anyway? Don't you know how dangerous it is?!
[ Who was supposed to be looking after her? He might not know who her guardian is, in this place, but Cisco is going to give them SUCH an earful when he finds out... ]
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cw a little introspection of self-harm
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that drawing!!!
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