Frank Castle (
scoutsniper) wrote in
riverviewlogs2017-10-15 11:13 am
Running montage of Johnny Cash
who: Frank Castle and YOU!
what: Getting to know the lay of the land here, and probably getting into trouble
when: October 15-20
where: Various points in the city
warnings: Pre-emptive warning for Frank's alpha male bullshit.
i MEMORY SHARE
[It's fast, but dark, a long hallway with off-green lighting, and it hurts to move--each step with the left foot sends a squishing stab of pain, knuckles already bruised and raw, but still aiming at bodies, running up.
A gun in the hand, aiming to kill, and then another flare of pain, the gun knocked out, hand against the wall, and then anger. Because they deserve it. For what they did to you, for what they did to your city. They hurt you, but that doesn't matter, you can hurt them back, and you can never hurt them enough.]
ii On the roof of the main housing building
[No one ever looks up. He learned that years ago, in the Marines. No one ever looks up. If you're above eye level, you're basically goddam invisible.
He wants to be invisible, right now, till he learns this place. It wasn't the first time he'd been dropped in the middle of foreign, hostile territory. He knew what to do--stay quiet, stay high, learn the place, day and night.
He's patient. He has a thermos of coffee, pouring himself a cup when he needs it, mostly just watching, moving from corner to corner to cover the whole view.]
iiiPerimeter Guard
[At least they gave him a job. Something he could do. He wasn't sure about working with a team--not again. Not after finding how deep Schoonover had gotten his hooks into the other Marines, men who, at one time, had been good men.
But it has a range, and that, at least, is something almost comforting, something he's good at. He'll start with the pistols, sending rounds down range with a speed that shows he's either really that damn good, or he 's working through some serious anger issues. Or both. Probably both.]
iv The Streets
[He does get to ground level from time to time, roaming the dark alleys at night. Because that's where bad people go, and that's who he hunts. So if he sees anyone, especially anyone looking shady, he'll confront them. ]
The hell are you doing here?
v Wildcard me!
what: Getting to know the lay of the land here, and probably getting into trouble
when: October 15-20
where: Various points in the city
warnings: Pre-emptive warning for Frank's alpha male bullshit.
i MEMORY SHARE
[It's fast, but dark, a long hallway with off-green lighting, and it hurts to move--each step with the left foot sends a squishing stab of pain, knuckles already bruised and raw, but still aiming at bodies, running up.
A gun in the hand, aiming to kill, and then another flare of pain, the gun knocked out, hand against the wall, and then anger. Because they deserve it. For what they did to you, for what they did to your city. They hurt you, but that doesn't matter, you can hurt them back, and you can never hurt them enough.]
ii On the roof of the main housing building
[No one ever looks up. He learned that years ago, in the Marines. No one ever looks up. If you're above eye level, you're basically goddam invisible.
He wants to be invisible, right now, till he learns this place. It wasn't the first time he'd been dropped in the middle of foreign, hostile territory. He knew what to do--stay quiet, stay high, learn the place, day and night.
He's patient. He has a thermos of coffee, pouring himself a cup when he needs it, mostly just watching, moving from corner to corner to cover the whole view.]
iiiPerimeter Guard
[At least they gave him a job. Something he could do. He wasn't sure about working with a team--not again. Not after finding how deep Schoonover had gotten his hooks into the other Marines, men who, at one time, had been good men.
But it has a range, and that, at least, is something almost comforting, something he's good at. He'll start with the pistols, sending rounds down range with a speed that shows he's either really that damn good, or he 's working through some serious anger issues. Or both. Probably both.]
iv The Streets
[He does get to ground level from time to time, roaming the dark alleys at night. Because that's where bad people go, and that's who he hunts. So if he sees anyone, especially anyone looking shady, he'll confront them. ]
The hell are you doing here?
v Wildcard me!

ii
Usually, when someone is on the roof, they are either wanting time to themselves, training, or star-gazing. So when he spots Frank doing what he's doing, Stephen stops and watches for a while himself. This man seems an observant sort so it's amusing he never looks up himself.
Eventually, Stephen decides to announce himself, calling down: ]
I hope that's coffee you're drinking and not booze. It wouldn't be a good idea to be drunk and up this high.
\o/
Frank's first thought is that someone must have laced his coffee and he's having some kind of goddamn hallucination. He's not convinced enough by that theory to lower the gun, though. ]
Not sure what business that is of yours.
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I'm a doctor. People's safety is always my business.
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iv
[Sorry, you ran into the world's worst elf. (Or second worst, if you count her twin brother.)
Lup is out test-driving her new body by getting hammered, and was on her way home.
Not actually selling drugs. This time.]
Re: iv
[Yeah, he's seen actual drug deals. Not. Buying. It. ]
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[She's smart enough to not get fucked without supervision. Drinks was another thing.]
Do you usually skulk in alleys asking people what they're doing? It's kind of creepy.
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iii.
Someone like Frank might recognize that the way she moves is almost eerily quiet and clearly the result of training on how to be little more than a whisper. Oversized green military surplus jacket, duffle bag slung over her shoulder. It used to be everything she owned, but now it's mostly pared down to the weapons and the tech. She's sort of vaguely late-teens or early-twenties, and the fact that she's petite tends to make people read her as younger, but her blue eyes speak of too much tragedy to be too young.
She watches him for a little while, not focusing on him for too long at once, trying to avoid that way people tend to feel when they're being watched.]
You're not bad.
[Her voice quiet, coming after he empties the clip.]
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Yeah. [No heat to it. He's not bad. He'll take it.
He slaps another mag in the pistol, holding it out to her. ] .
Now you. [Maybe, maybe, a hint of challenge, to put her money where her mouth was.]
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She walks over, lets the duffle bag land at her feet, though she makes sure her foot catches the strap. But she takes the gun, holds it for a second, feeling the weight. It's nothing against him specifically, but she just doesn't trust strangers too easy.]
Alright.
[She takes aim at the paper and pulls, silent except for the sound of the casings and the sharp but satisfying sound of the squeeze of the trigger and the gunshot that follows. The grouping is tight, all but dead center mass -- except for her first shot which she puts dead between the eyes of the paper target.
She lifts an eyebrow slightly as she hands the gun back.]
Nice gun.
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ii HOPE THIS IS OKAY
Yet he craves something, and when he puts on all dark attire, with a simple black bandanna over his eyes in a choice that returns him to basics, he realizes he's faced a particular loss in not scouting the rooftops as he once did. It isn't quite the return to Daredevil, at least that's the excuse he offers himself. There isn't the high crime levels here that Hell's Kitchen is known for, but the mere act of playing an observer is enough to make himself feel useful without drifting too far into a role he isn't ready to return to.
But across the barren rooftops, he can pick up the faint scent of something familiar — thin gunpowder, just enough of it like the kind that creeps under your fingernails, almost impossible to scrub away. It could be anyone, really, but the distance of it is the same as a steady heartbeat he'd memorized during the hours he'd been chained to a chimney.
Impossible. Except it isn't. Not when this place was known for its surprises.
He gracefully scales the buildings, blending in with the darkness until he approaches his intended target. He almost remains quiet as he stands on the building's edge from behind him, but his voice escapes him before he intends it to. ]
Making yourself at home, Frank?
it's beautiful!
But he knows that voice. He knows that voice. ]
This ain't home, Red.
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No, it isn't.
[ He doesn't shift from where he stands. Without the red, the black coats him into the darkness more than he's ever been. Still his voice remains clear. ]
But it's safer. [ He doesn't know how much of that is true. To an extent, it has been. ] No killers on the streets.
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i can't believe i lost this notif
just temporarily misplaced
red will always come back to you, frank
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ii
But that didn't mean she'd be spared from visions as she learned a while ago. Either way, she wanted something to preoccupy her mind, and she was hoping being outside would do the trick.
Rey tried to be quiet as she made it to the roof with her staff on her back, notebook and pencil in hand. She didn't think there would be someone else there too.]
Re: ii
He jerks fully awake as she gets too close, one hand diving in his jacket, and pulling it back out, when he sees who it is. A girl. Not a threat.
"The hell are you doing up here?" He doesn't like being taken off guard like this.
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This...who was this?]
To star gaze. [Well, sort of. Considering she had a notepad and pencil, that wasn't entirely true.]
What are you doing here?
hahahaaaaaa wtf did I do in that formatting there orz
Lol it’s ok.
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I
Draco crossed his arms, face closing off as he watched. Feeling the desperate emotions, but unknowing why they were there, or where they were aimed.
"Well, aren't you just a cheery fellow," Draco said under his breath.
ii
Sorry, I didn't know there was someone up here. I'll be quick, though.
[In other words, Billy would not be turned away until he finished what he came here to do.]
Re: ii
Not my roof, man. Stay as long as you want.
[Big enough for the both of them? His hand stays there, waiting for the response. Friendly but wary. ]
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Thanks.
[He walks over to the section of the roof that faces north before carefully placing the flask down in front of him, taking care that it's in a safe position that won't allow it to fall over the edge. Billy bowed his head and put his hands flat against each other as though getting ready to pray. He didn't consider himself a religious man, but he wanted to do this for Goody. It's a cloudy memory, but Billy vaguely remembers his father doing the same thing when his grandfather died.
In a low, quiet voice, Billy repeats Goody's name three times.]
Goodnight Robicheaux...
[But with a name like Goodnight, it sounds more like he's talking to someone.
His back straightens when he's done, but he doesn't leave right away when he takes the flask back into his hands, choosing instead to look up and acknowledge the stars.]
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IV
Minding my own damn business. Why don't you try doing the same?
[The snarky voice sounds like he has a Northern European accent, close to being Norwegian in nature, but not quite. One hand edges towards the knife at his belt as he speaks.]
Re: IV
Pretty interesting place to mind your business. [With. An axe. POINTED LOOK.]
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You know, they have words for grown men who talk to sixteen year olds in dark alleys, and none of them are good.
[That is the smirk of someone who should be cuffed around the head often to keep him in line.]
IV. runs in late with starbucks
Were you talkin' to me, dude? She itches under her nose, knuckles speckled with dry blood and pink jacket sleeve also lightly dirtied. But otherwise, she seems relatively taken care of, not at all the likes of a homeless runaway or whatnot. Maybe she should be polite. Linda the caseworker always tells her to try and be polite. Despite the thought, she's short with her words, a bit monotone.]
... Going for a walk.
\o/
You weren't walking. [Is she trying to square off with him? She barely reaches his goddam elbow. ]
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She proceeds to walk in a circle, smacking on her gum all the while.
See? Walking. Going for a walk.]
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