Captain Steven Rockwell Trevor (
rightly) wrote in
riverviewlogs2017-10-14 11:30 am
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( open ) just keeping life and soul together
who: Steve Trevor & YOU!
what: memory share + catch-all
when: month of October; 9th to 23rd for memory share things
where: all over
warnings: death, violence, some gruesome stuff, sappiness. will update if need be!
I ▹ VISIONS
II ▹ DREAMSCAPE
III ▹ VISIONS
IV ▹ VISIONS (this can be a continuation to the previous memory, if you'd like!)
[ ooc: if you'd like any other specific memories from the movie, feel free to let me know and I can write a starter for you! ]
what: memory share + catch-all
when: month of October; 9th to 23rd for memory share things
where: all over
warnings: death, violence, some gruesome stuff, sappiness. will update if need be!
I ▹ VISIONS
[ You're a little scared, but you don't look it. You don't act like it, either. You're aware of being in enemy territory, surrounded by people who would torture or kill you without a second thought, if they knew who you were. But they don't. You're dressed like them, talk like them, and you walk among them completely unnoticed.
It's a good thing. It allows you to come into the factory, see what kind of work they're doing. You watch as the scientist you've been sent to check up on works on an experiment with a sort of poisonous gas. It fails, but frustration and anger has her killing the guinea pig anyway, a man who's as scared as he is helpless, restrained and with a mask strapped to his face.
You have no time to think. You can't let her finish her work, you have to find a way to stop it, or at least delay it for long enough that you can bring this information to the people who can actually do something with it. So, while she speaks to the General, you sneak your hand through the cracked door and you steal her notebook. You manage to walk halfway across the factory before she notices it's gone, and by the time she yells out and the alarm sounds, you're already outside.
Walking calmly isn't an option anymore. You start running, then sprinting, yanking a pilot out of his airplane and climbing in yourself, quickly taking off. You double back, though. It's risky, but you may as well cause as much damage as you can, and you shoot across the field, the other airplanes and soldiers there, and as you approach the factory, you let a bomb down through the glass ceiling, flying away as it all blows up, the scientist's work all going up in flames. There's a sense of relief and accomplishment, even as the enemy force seems intent on finding a way to chase you down and catch you. ]
It's a good thing. It allows you to come into the factory, see what kind of work they're doing. You watch as the scientist you've been sent to check up on works on an experiment with a sort of poisonous gas. It fails, but frustration and anger has her killing the guinea pig anyway, a man who's as scared as he is helpless, restrained and with a mask strapped to his face.
You have no time to think. You can't let her finish her work, you have to find a way to stop it, or at least delay it for long enough that you can bring this information to the people who can actually do something with it. So, while she speaks to the General, you sneak your hand through the cracked door and you steal her notebook. You manage to walk halfway across the factory before she notices it's gone, and by the time she yells out and the alarm sounds, you're already outside.
Walking calmly isn't an option anymore. You start running, then sprinting, yanking a pilot out of his airplane and climbing in yourself, quickly taking off. You double back, though. It's risky, but you may as well cause as much damage as you can, and you shoot across the field, the other airplanes and soldiers there, and as you approach the factory, you let a bomb down through the glass ceiling, flying away as it all blows up, the scientist's work all going up in flames. There's a sense of relief and accomplishment, even as the enemy force seems intent on finding a way to chase you down and catch you. ]
II ▹ DREAMSCAPE
[ It's a peaceful scene, for a change. You find yourself standing a little to the side with Steve, while the perfect copy of him, in the memory, sits on the edge of the fountain, next to Diana. Sameer comes by, happy and chatting, offering them both drinks, and they help themselves. Both the protagonists of the dream and the rest of the people around them, singing, dancing and laughing, seem to be entirely unaware of their presence.
Steve reaches out to clink his beer against Diana's in a toast, then looks around them, a warm contented expression taking over his features. ]
You did this. [ He says to Diana, but she's prompt in correcting him, smiling as he glances at him. ] We did.
[ The other Steve, the one standing next to you, doesn't look particularly comfortable being here, but he knows there's no point trying to leave. He just looks at you awkwardly, shrugging in way of an apology. He knows what's going to happen next, after all, and... well, it's about to get very sappy. ]
Steve reaches out to clink his beer against Diana's in a toast, then looks around them, a warm contented expression taking over his features. ]
You did this. [ He says to Diana, but she's prompt in correcting him, smiling as he glances at him. ] We did.
[ The other Steve, the one standing next to you, doesn't look particularly comfortable being here, but he knows there's no point trying to leave. He just looks at you awkwardly, shrugging in way of an apology. He knows what's going to happen next, after all, and... well, it's about to get very sappy. ]
III ▹ VISIONS
I have to go. [ She doesn't understand, but you know better. You can't stay now, there's no choice. But you can't leave without telling her, without at least getting it all off your chest. At least she'll know before you're gone. A small comfort (no comfort at all), but it'll have to do. ]
What are you saying? [ She asks, you shake your head. You have a feeling you're both speaking in different languages; you can't hear her, she can't hear you. ] Steve. Whatever it is... I can do it.
No, no. [ Stop her, you need to stop her. You know Ares will never let her go through with it, even if she could, and she would be able to survive it. She insists, you push back. ]
It has to be me. It has to be me. I can save today— you can save the world. [ God, he means it. He believes it. She'll save the world, and that's bigger than him, than surviving, than breakfasts and reading the newspaper and growing old together.
You smile, even if you feel miserable. You look away briefly, then back to her, shaking your head. Your heart pumps wildly in your chest. ] I wish we had more time.
[ She stares at you; she can't hear you, you realize. ] What? What are you saying?
[ You reach down and take off your watch, pressing it to the palm of her hand. Then you start walking backwards. ] I love you.
[ You don't want to let go, but the more you linger, the surer you are you won't be able to. So you pull your hands away quickly and start running away, towards the airplane waiting for you. Your fate— your coffin.
She calls out after you, but you don't look back. You can't look back. You know a glance will be all it takes for you to hesitate, to lose your courage and not do what you have to. ]
What are you saying? [ She asks, you shake your head. You have a feeling you're both speaking in different languages; you can't hear her, she can't hear you. ] Steve. Whatever it is... I can do it.
No, no. [ Stop her, you need to stop her. You know Ares will never let her go through with it, even if she could, and she would be able to survive it. She insists, you push back. ]
It has to be me. It has to be me. I can save today— you can save the world. [ God, he means it. He believes it. She'll save the world, and that's bigger than him, than surviving, than breakfasts and reading the newspaper and growing old together.
You smile, even if you feel miserable. You look away briefly, then back to her, shaking your head. Your heart pumps wildly in your chest. ] I wish we had more time.
[ She stares at you; she can't hear you, you realize. ] What? What are you saying?
[ You reach down and take off your watch, pressing it to the palm of her hand. Then you start walking backwards. ] I love you.
[ You don't want to let go, but the more you linger, the surer you are you won't be able to. So you pull your hands away quickly and start running away, towards the airplane waiting for you. Your fate— your coffin.
She calls out after you, but you don't look back. You can't look back. You know a glance will be all it takes for you to hesitate, to lose your courage and not do what you have to. ]
IV ▹ VISIONS (this can be a continuation to the previous memory, if you'd like!)
Steve! [ You don't look back. You can't. You rush towards the airplane, and you jump in. You climb inside and take on the pilot, kicking him out. The adrenaline and the haste kick you into action, mask the other feelings that would freeze you to the spot.
You take the seat and you take the plane up in the air. Up, up, away, as far away as it can get. You keep looking back over your shoulder, until the flames and the factory are but a dot in the distance. You laugh, breathless. You laugh and you can't stop, exhilarated and terrified when the reality of it all sinks in.
You're going to die.
This is the hard part. Because now you can safely end it all, not hurt anyone else, but the gun is suddenly heavy in your hand, and your arm shakes, your body shakes, your head spins and your heart is tearing a hole in your chest. You try to breathe deeply but you can't calm down, you can't. Does it matter? Not really. Calm or not, you're going to die. The end result will always be the same.
You close your eyes, try very hard not to think of good things. Diana. You know the moment you remember her smile, her laugh, her eyes, you'll want to turn the plane around, and you can't.
Deep breaths. One, another. You open your eyes again. Your breathing gets calmer, you don't know how. You decide to count down the exhales. Five... four... three... two...
One.
You pull the trigger. ]
You take the seat and you take the plane up in the air. Up, up, away, as far away as it can get. You keep looking back over your shoulder, until the flames and the factory are but a dot in the distance. You laugh, breathless. You laugh and you can't stop, exhilarated and terrified when the reality of it all sinks in.
You're going to die.
This is the hard part. Because now you can safely end it all, not hurt anyone else, but the gun is suddenly heavy in your hand, and your arm shakes, your body shakes, your head spins and your heart is tearing a hole in your chest. You try to breathe deeply but you can't calm down, you can't. Does it matter? Not really. Calm or not, you're going to die. The end result will always be the same.
You close your eyes, try very hard not to think of good things. Diana. You know the moment you remember her smile, her laugh, her eyes, you'll want to turn the plane around, and you can't.
Deep breaths. One, another. You open your eyes again. Your breathing gets calmer, you don't know how. You decide to count down the exhales. Five... four... three... two...
One.
You pull the trigger. ]
[ ooc: if you'd like any other specific memories from the movie, feel free to let me know and I can write a starter for you! ]
iii & iv
He decides to approach this one in person, because he knows that texting doesn't come as naturally to Steve, and because he wants to be there, nearby, to provide whatever reassurance he might need to. So he invites Steve to his workshop under the pretense that he has found a cool motorcycle engine (which is, in fact, true - Rey had hauled it back from the abandoned city with her speeder a few days back). But when Steve shows up, Cisco looks grave, eyes a touch red-rimmed, and he says right away: ]
Hey, Steve. So I- I lied a little. I got the engine and we should totally geek out over it later, but... I got something I need to tell you, too.
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So when Cisco contacts him and asks him to come by the workshop, he's visibly excited to get his hands on the new engine. But what he comes to find at the workshop isn't exactly what he's expecting. His smile dies the moment he sees the look on Cisco's face, and despite his admission, Steve's more worried than he is upset. ]
What's wrong? [ Something is wrong, he can tell. It even looks as though Cisco's been crying. ] What happened?
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So you know how- how everybody's been having these weird visions and dreams of- of other people's memories.
[ Cisco forces himself to look up, to maintain eye contact and say this to Steve's face. He deserves that much. ]
I had one. Of, um, you. Saying goodbye to a woman and- and going up in the plane.
[ He had seen more - Steve's elation, and then panic, and then the strange calm that seemed to settle over him before he pulled the trigger. But Cisco thinks he's said enough to get the general point across, and he's trying to be as abstract as possible, to avoid mentioning any details that might be hard for Steve to hear. ]
I'm really sorry, Steve. I couldn't- there's no way to stop those dreams, once they get started. We don't gotta talk about it at all, and- if you want me to pretend it never happened, I'm totally okay with that. I just- I wanted you to know. And to say I'm sorry.
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Right.
[ His voice falters a little. He's not nervous, scared or mad, he's just... well, he can't put it to words exactly, but something close enough to upset. He moves to one of the stools nearby, taking a seat there. ]
It's alright. It's... I know how these memories work, I know it's not your fault. [ He props his elbow on the table next to him, hand covering his mouth as he takes a deep breath.
He glances back to Cisco eventually. ] Please... you can't tell Diana. I mean— the woman you saw, in that memory. She's here, but she doesn't know about any of that. That's all I ask.
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He waits as Steve sits, looking heavy and solemn and shaken. Cisco swallows, shifting his weight from foot to foot and hoping that this hasn't somehow ruined their new friendship. He is silent until Steve makes his request, and then he answers without hesitation: ]
Of course, Steve. I won't say a word about this, to anyone. I swear it.
[ Cisco grabs the nearest stool and pulls it over, close to Steve but not too close, leaving him a little bit of space as he sits down, face all concern. He'd spoken to a Diana, on the network - about candy of all things - but the conversation had only been text. Nothing that would've allowed him to recognize her in the dream. But he does remember what Steve had said, the first time they met. It's not hard to put the pieces together. ]
She's the one you told me about. The one from earlier in your timeline. She doesn't know about you dying, or... about you two?
[ That last part is just a guess, based on Steve's phrasing. She doesn't know about any of that. If that's the case... Cisco can't even imagine how hard that must be. ]
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I believe you.
[ Cisco's word is all he needs, and he relaxes a little, even if he's not exactly at ease yet. He glances up again, nodding to confirm his conclusion. No point lying about that anyway, is there? Diana's the only one here he knew from before, so. ]
Any of it. I mean— she knows that I... care about her. She just doesn't know how much. [ It seemed a little much to tell her all that, to profess his love when he was practically a stranger to her. So, he'd opted for a tamer version of their story. ] But she doesn't know about the rest. She thinks... we'll both live to see the end of the war. I haven't confirmed it, but I haven't told her otherwise, either.
[ Even though he likely should. ]
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[ Which seems to be a bit of a theme, where Steve is concerned. He'd had to make the choice to leave behind someone he was clearly very in love with, to sacrifice his life, to save many more. And now, apparently, he has to decide what he can live with: lying to her and hiding the truth from her, which might spare her some pain but which is ultimately still a lie, or telling her the truth and risking alienating her or hurting her. Cisco frowns at Steve, reaching out carefully and setting a hand on his shoulder, reassuring and bracing.
He should leave things there, he thinks. Not say anything else that has the potential to upset Steve, or make things worse. But Cisco's never been good at holding back. ]
I know that it isn't my place to say this, and there's all kinds of complications, but... in the memory, I heard you. You said- said you wished you had more time to be with her.
[ Cisco smiles, just a tiny sliver of a thing, half-sad and half-hopeful. His voice is low and earnest as he says. ]
Maybe that's what this is. Maybe that's why you're both here. It's a second chance at some more time. And... if there's anything I know about second chances, it's that you can't ever waste them.
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[ He sounds a little bitter about it, but mostly sad and resigned. He's had worse choices to make, honestly. Choices that could have been the difference between saving a lot of lives and ending them. It's just different, when the two possible paths here are to either lie to Diana, or upset her. He doesn't want to do either, but it's not like there's a third option.
Cisco means well, Steve knows, and that's why he doesn't ignore him, nor does he clam up or tell him to leave it. He smiles weakly, shaking his head. ]
It's not that easy. This could be a second chance for me, yes. But it's not to her. She's not done yet— with the war, fighting, that's... that's all still ahead of her. She'll go back in a heartbeat, the moment she has the chance. And I would never ask her to stay, not for my sake.
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Cisco drops that hand from Steve's shoulder and nods gravely a few times. He covers his mouth with his hand, mulling it over. He's not arrogant enough to think that he can solve any of this, for Steve. It's not the sort of problem you fix. But he thinks he can deliver a little perspective, as someone who has lived in the quarantine a while longer. ]
That does complicate things. But I've been here for a while, Steve. I've gotten to know a lot of people. It's pretty rare anyone gets a chance to go back home within the first year. Most of them, it ends up being four, five years before they do.
[ Cisco gives a small shrug; that, at least, is not an opinion, or a piece of advice that he might not be qualified to deliver, but rather, a statistic. They had been brought here, after all, and while they're not prisoners or anything, there was a reason for that. They're meant to be rebuilding this place, and that wouldn't be possible if everyone who got a bit homesick could choose to go back to their world in the first week. ]
That's not a lifetime, but it's still years. And even if you know there's gonna be an end... that's no reason not to start. Everything ends. You can still make the most of the time you've got, while she's around, and then... when she goes, then you figure out what's next for you.
[ Cisco finishes with a little shrug, turning towards the work table beside them and tugging at the large piece of cloth he has covering up the motorcycle engine he'd used as a pretense to get Steve here in the first place. As he does, he adds: ]
Whenever that is, I'll still be around, anyway. I'm here for good.
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ii.
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Must you? [ Gesturing to the phone. ] Can you just turn that off? Please?
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[ Trotting around the phantom pair as they sway so romantically, Loki spreads his hands at the real Steve. ]
You really are into brunettes, huh? Where are all my dances under snowfall?
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He sighs a little, but admits, if a little reluctantly. ]
Yes, that's... that's her. [ He presses his lips. ] Diana.
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[ Honest as he is, Loki employs the same casual approach in pacing back over to Steve. ]
Do you suppose you'll ever be able to get over her?
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He feels like crying, almost. But he doesn't. ]
No. I don't think I ever will.
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Same.
[ The long, soft fingers of a thief brush Steve's palm. ]
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Sweetheart of your own, have you?
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He can't tell what's even going on in this vision. He barely recognizes the big metal contraption as an airplane (he's very new to the concept), he doesn't understand much of the machinery or mayhem around him, and he doesn't recognize the importance of the tanks behind him as he enters the cockpit of this plane. And he certainly doesn't have a clue what his hands are doing has he starts to operate the machine. (Luckily, it isn't actually him, so Steve is doing all the work for him.)
But the two things he understands about this scenario are: whatever he's doing, it's going to save countless lives; and, he's about to die.
The shock of pulling the trigger and the following the explosion is what snaps him out of it, and as he does he holds onto that feeling—the feeling of giving your life for a phenomenal cause. It's exhilarating.
He has to regain his composure before he enters the community center. When he finds Steve, he offers a greeting, as casually as he can manage.]
Hey, Steve! Magnus, from the network. [He's trying to be cool—you can't just walk up to a guy and say 'Hey, man, I just saw you die!' He extends his hand for a handshake.]
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In any case, he doesn't let it make him paranoid. He doesn't greet every new person worrying about whether or not they have seen or might see any of his memories, and when Magnus approaches him on the center with a smile and an outstretched hand, he returns the greeting with a smile just as friendly, hand catching Magnus's in a firm shake. ]
Nice to meet you, Magnus. Glad you could make it. [ He looks around them briefly, ] Any place you'd like me to show you first?
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But first, uh...
[Aw, jeez. He doesn't want to make Steve uncomfortable. But, if he doesn't explain before this tour starts, the whole thing's gonna be weird. He may as well get it out of the way.]
You should know that I had—I guess, a vision?... I don't know, Riverview's weird, you probably already know that, but—the point is, I had a vision, like, about you.
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[ With some luck, they might even find a few people playing a match there, so Magnus can get a better idea of how some of them are played. Before Steve gets to lead the way towards the first field, however, Magnus speaks again, and Steve stops, expectant at first, then his expression falling when he realizes what he's talking about. ]
I see. [ He looks down, shoulders falling. The memories have been difficult to cope with, but it's always particularly awkward when it happens with people he barely knows. ] What, uh... did you see?
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[Magnus wonders if there's a way to back out now, just to avoid this becoming Steve's initial impression of him, but it's too late. He's gotta finish what he started.]
I, uh, saw how you died.
[He’d meant to leave it at that—he doesn’t want to be weird about it—but he can’t help himself.]
But—I gotta say, though, I really—I have a lot of respect for that. For what you did. It was really... cool.
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Well, maybe not glad, but... relieved. Something like that.
He nods once, not particularly surprised by the memory he got to see. It seems as though the more intense the memories, the likelier they are to reveal themselves to others. He is, however, surprised by the last statement. Surprised and admittedly puzzled. ]
Exactly... what about me blowing myself up do you consider cool? [ The word rolls weirdly in his tongue, as he's yet to get used to its more modern and informal meaning. ]
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Well, first of all, I just think big explosions are cool in general. But, seriously, though—I didn’t really know what was going on, but I could kind of… Feel what you were feeling? I guess? So I know that whatever you did saved a whole bunch of people. I think that anyone who puts their life on the line like that, even for one person’s sake, is… Like, the epitome of cool.
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Right. Well... London would have been wiped off the map, for sure. Someone had to stop that plane. [ And who else, really? He'd have never let his friends sacrifice themselves, even if they knew how to fly that airplane (which they didn't). And he's sure that Ares would have stopped Diana, had she tried to take care of it herself. That was what he meant, when he told her it had to be him. ]
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