Ava Anatalya Orlova (
krasnaya_vdova) wrote in
riverviewlogs2017-08-23 02:11 pm
Entry tags:
- degrassi: lola pacini,
- logan: laura,
- marvel (616): bucky barnes,
- marvel (mcu): natasha romanoff,
- marvel (mcu): sam wilson,
- marvel (mcu): tony stark,
- original: shigeru miyata,
- star trek (tng): beverly crusher,
- star wars: cassian andor,
- star wars: jyn erso,
- the adventure zone: taako taaco,
- voltron: keith,
- voltron: shiro,
- ✖ dc comics (rebirth): jonathan kent,
- ✖ dceu: steve trevor,
- ✖ dmmd: aoba seragaki,
- ✖ ffxiv: x'rhun tia,
- ✖ fullmetal alchemist (03): edward elric,
- ✖ gundam 00: lyle dylandy,
- ✖ marvel (ultimates): tony stark,
- ✖ marvel: ava orlova,
- ✖ miraculous ladybug: marinette (ladybug,
- ✖ mushishi: ginko,
- ✖ original: jamie dodger,
- ✖ overwatch: genji shimada,
- ✖ overwatch: hana song,
- ✖ planescape torment: fall-from-grace,
- ✖ the adventure zone: magnus burnsides,
- ✖ the idolmaster (cg): arisu tachibana,
- ✖ the man from uncle: illya kuryakin,
- ✖ vikings: ivar ragnarsson
everything's on fire
who: Everyone!
what: The residential building is on fire
when: ~2am, August 23rd
where: The Residential building
warnings: Fire, destruction of property, injury, general warnings for crisis situations

It's a reasonably quiet night, pleasantly dry with a slight breeze. Almost nice, for those that enjoy the hours after midnight long before dawn starts to creep on the horizon. Right until it isn't, when the air changes, and there's the scent of heat that promises smoke. In most places it starts with a flash of blue light that arcs from floor to floor as energy pulses through the building, and there's a crack of sound that follows. The power dies for a moment, and if you're one of the unlucky ones, the light that follows is a literal spark in the dark, burning to life in bright orange-red, yielding heat and smoke and trouble. The energy surge doesn't just hit the lights, but sparked flames that burst to life, and they catch quickly, spreading.
The worst of it starts on the ninth floor, where the smoke and the beginning of heat starts moments before the surge. The fire spreads faster there, people starting to startle awake and realize what's happening as the flames crackle. Eventually there's an announcement on the Network, both alerting people to what's happening and trying to organize both those that are willing to help and those that need it.
Some areas are untouched, while others are ravaged badly, reduced to ashes and crumbling ceilings, so watch your step. There's chaos, but through it there's people doing what they can to help each other, and the official fire services show up to help control the blaze. After that, it's just a matter of repairing the damage that's been done, rebuilding and putting things back together, seeing what's been lost and what was saved.
Even later, people start putting the pieces together, and there's the official investigation into what might have caused a fire like that in the first place.
[ooc: As promised, the residential building is on fire! OOC plotting post is here if anyone wants to work out some last minute plans before diving in. Plotting post also includes the relevant details. Elsewise, just top level and mingle. Try not to get burned too badly. :) Good luck!]
what: The residential building is on fire
when: ~2am, August 23rd
where: The Residential building
warnings: Fire, destruction of property, injury, general warnings for crisis situations

It's a reasonably quiet night, pleasantly dry with a slight breeze. Almost nice, for those that enjoy the hours after midnight long before dawn starts to creep on the horizon. Right until it isn't, when the air changes, and there's the scent of heat that promises smoke. In most places it starts with a flash of blue light that arcs from floor to floor as energy pulses through the building, and there's a crack of sound that follows. The power dies for a moment, and if you're one of the unlucky ones, the light that follows is a literal spark in the dark, burning to life in bright orange-red, yielding heat and smoke and trouble. The energy surge doesn't just hit the lights, but sparked flames that burst to life, and they catch quickly, spreading.
The worst of it starts on the ninth floor, where the smoke and the beginning of heat starts moments before the surge. The fire spreads faster there, people starting to startle awake and realize what's happening as the flames crackle. Eventually there's an announcement on the Network, both alerting people to what's happening and trying to organize both those that are willing to help and those that need it.
Some areas are untouched, while others are ravaged badly, reduced to ashes and crumbling ceilings, so watch your step. There's chaos, but through it there's people doing what they can to help each other, and the official fire services show up to help control the blaze. After that, it's just a matter of repairing the damage that's been done, rebuilding and putting things back together, seeing what's been lost and what was saved.
Even later, people start putting the pieces together, and there's the official investigation into what might have caused a fire like that in the first place.
[ooc: As promised, the residential building is on fire! OOC plotting post is here if anyone wants to work out some last minute plans before diving in. Plotting post also includes the relevant details. Elsewise, just top level and mingle. Try not to get burned too badly. :) Good luck!]

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As Natasha stands, though, Tony turns his attention to her instead. There's a silent pause, probably no longer than a heartbeat for all that it feels longer, before he suddenly says. "I'll meet you back here once she's settled." It's not a question. Now that he knows she's here, Tony's not leaving her on her own.
no subject
She just needs to get the woman out of the building and Tony out of her immediate line of sight so she can go back to what she needs to do. She doesn't plan on being here when he gets back. Which doesn't mean he won't be able to find her, but she doesn't have to make it easy, and she's pretty sure she doesn't want to hear whatever it is he wants to say with regards to the friendship they've had.
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Once the tub is free from its fixings, he steps up to clam both hands to the sides to gauge what the best way to carry it is going to be. It probably doesn't help that his attention is still more on Natasha than the injured woman, but he figures he can be excused so long as no one gets dropped.
"Try not to get into too much trouble," he says finally, and then lifts the entire thing with a quiet creak of metal.
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"I think we've both hit total saturation on trouble, don't you?" Some things don't just get better with time. Some things don't heal. Sometimes, things break, and they just stay broken. Still, all that aside, there is a building on fire, and they know how to work well together. She'd have to be a monster to weigh her own discomfort as more important than human life.
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Instead he shifts his grip on the tub to find better handholds and just nods his head towards to the wall. "Mind getting one of the windows for me?"
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He still takes a split second to glance at Natasha, wordless, before he nods. "See you on the other side," he says, more than a little dryly and takes one step before a flare of repulsors takes him off the ground and shooting through the window.
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It's not until he's been through most of the other floors above the fire that a flash of red hair catches his attention again. He knows her well enough to be sure that she won't leave until everyone else does, but between everyone sweeping the floors, Tony's pretty damn sure there's no one left. Except them.
So, hovering in a stairway, he holds a hand out to her. "Want a lift?"
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"Others have been through. Everyone's out. Come on, Widow, time to evac."
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Of course, she also doesn't want to burn to death. She's spent enough time studying Iron Man, years fighting as his teammate. She knows where to grab his suit, where she won't have her fingers taken off by an adjusting metal plate. He's probably going to hold her, anyway, but she doesn't have to like it or invite it.
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His arm unwraps again the moment he touches down, but he just stands there for a moment. "Natasha..." he trails off, not sure where he was even going with it.
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This is far from her best day. This might be one of her worst. A conversation with anyone right now holds huge potential for ending badly, this one is damn near guaranteed to do so.
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So fine. He can, occasionally, handle letting things go. Tony puts his hands up defensively, palms pointed towards the ground to make it extra clear that it's not a threat. "Fine. But clearly we need to talk some other time."
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"It couldn't hurt," he finishes a little more quietly at the thought.
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Something flickers through her mind, and she doesn't want to ask, she doesn't, but she finds herself incapable of leaving it alone. "What's the last thing you remember back home?" It's possible, isn't it, that all this pain she has to drag around with her, he never lived through.
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"We don't have to talk about this now," he says finally. Not least because he doesn't particularly want to dredge up memories of Siberia right now, and Natasha's looking a little like she might suddenly come apart at the seams or go for his throat. He's honestly not sure which option worries him more. "We've got time."
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Being on the ground does have one advantage. It means she can turn her back on him. It means she can put physical distance in place of the emotional distance she's so desperate for.