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You must wonder what we're doing here in your part of the world.
Who: Harry Goodsir and anyone who promised him some stuff, or hell, if you just want to bug him in the coroner's office in the hospital, so literally anyone.
What: Dr. Goodsir's office hours. Bring him things, come to chat, or tell him to clean his overgrown curiosity cabinet out of the hospital posthaste.
Where: Harry's office and impromptu lab in the basement of the Riverview hospital.
When: Anytime in July.
Warnings: Harry's doing an autopsy with Victor Frankenstein. Potential for grossness having to do with critters.
The truth is, there isn't that much for the Riverview coroner to do on a good week. There was a brief increase in activity after the business with the cult, but otherwise Harry is very much left to his own devices.
Hence letting his naturalist's instincts out to play. He now has a pet eyeball-eating lizard (he is still trying to work out a system of nomenclature and is hoping someone might have some ideas) and a couple of moths in a jar, a lot of botanical specimens, and some assorted feathers, bones, and other items that he's collected or that have been brought to him by friends.
When he's not attending his classes at the university, you'll probably find him here, working or studying. He does go back to the communal housing on a nightly basis, but he keeps very late hours. Come see.
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"Hello, Doctor Goodsir. I'm not interrupting your work, am I?"
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He doesn't mind paperwork, but he greets Victor with some relief.
"Dr. Frankenstein. Not at all; I believe I have reached a stopping-place." He sets down the paperwork and rises to greet Victor.
In the background, Phoebe the lizard is snoozing in her cage on top of a denuded fish-skull.
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"I think we can be a little less formal with each other, don't you? I'd like you to call me Victor."
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"Sometimes I take it for granted that I was given all my modern-day knowledge," he commented. "I can try helping you out."
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warning from this point forward: autopsy!
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He's made good on his offer - inside the box are a dozen different plants and flowers from beyond the fences, carefully transplanted into small pots, and packed with some newspaper between to keep them from jostling. Botany was always Fishlegs' thing, not Hiccup's, but keeping the little potted plants has been a nice way to imagine his friend is there with him. Still, if someone else can do something useful with them, it's better to give them away.
"Ah, hello, hi- It's Hiccup, the surveyor, from the network? I was bringing over some, uh- some plants, and some sketches."
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But then he casts his gaze around the room, blinking at the array of curiosities. "You've got some, uh, really interesting stuff here."
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"It is a start, no more," Harry says modestly, "in my research here." Just then, there's a trilling chirp from the corner—Phoebe the lizard wondering if there's food.
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"So you're a- a what, a naturalist? I-" The chirp catches his attention, and he brightens, taking a few slow steps toward the lizard. "Oh, hey there. You're a neat little thing."
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"Be careful of her—she may nip if she thinks you have something she would like to eat. My formal training is that of a surgeon and anatomist, hence the administration's decision to post me as Riverview's coroner, but yes, I am also a naturalist, and I have found quite a lot to do in that regard here."
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Monster Encounter with Billy Rocks
He'd greeted Harry cordially, tipping his hat at the other man, and once all pleasantries had been exchanged, he took the lead. He made sure to warn Harry early into their trek about watching his feet in case some of the crab creatures popped up. Much to Billy's surprise, though, nothing happened, but that only made him more wary than relaxed. It seemed too easy. He was even more surprised to find a bunch of eggs clustered together in groups within mounds of dirt, like nests. He lets out a low whistle at how many there are.
"Damn... Didn't think there'd be this many," he comments.
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"Perhaps there are changes leading to an increase in the population." He reaches out towards one of the eggs to pick it up, then pauses. "Do you think it prudent to pick one of these up? I should like to take one for study, but not if it will draw the creatures' attention."
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"I wouldn't recommend it. Most mothers will fight to the death to protect their young. I don't see her around, but she can't be too far. She wouldn't just leave all these eggs unprotected. Then if she did leave, she won't be gone for long."
Billy's eyes flick in the direction of the river, but there's no disturbances on the water's surface.
"And have you noticed how quiet it is here compared to the places we passed through earlier?"
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Then he looks up. "Now that you mention it—yes. Not even a bird."
He stands up quickly, an old sense of rising panic that he'd hoped to never feel again coming over him.
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"Hey, look." He points to it.
As more cracks spread across the shell's surface like a spiderweb, hissing can be heard from within, reminding Billy of the sounds the adults made.
"Watch it, it doesn't friendly," he warns.
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"Did I do that? Or is it simply luck of timing?"
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so I hear Harry wants to take his life in his hands and try to get to know Nat...
Except for the crab dog thing. That’s much more difficult to tranq, by simple virtue of not having any soft spot to shoot with a dart. Like she said - easy to kill, tough to catch. That thing is in a plastic bin with a couple of holes drilled in the lid and thick nylon straps keeping said lid on the container. Getting it out and contained properly, that’s Harry’s problem.
She stacks the sleeping foxes on top of the crab dog. Crog? Dag? Whatever. Foxes go on Mister Snips, the cage with the rats goes on top of the foxes, and the cage with the lizard goes on top of the rat. The moths are in a couple of jars in a tote bag on her shoulder. There are no holes in those containers. He’s going to have to find them some new homes quickly before they suffocate. If he wants them to stay alive, that is. She wheels the whole stack carefully into an elevator, and then down to the coroner’s office. When she gets there, she knocks on the door with the back of her hand, the heavy metal reinforcements in her gloves making an incredibly loud clanking sound that echoes in the empty hallway.
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"Ah, good aftern—oh my." He stares past Natasha at the stacks of cages. "Well, that is—my goodness. Thank you."
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She takes hold of the handles again and starts to drag the whole lot past him into the room. "I'm Nat." Since he can't recognize her by face and voice the way she can with him. "We should probably get them all somewhere more secure. I only borrowed the cages, and they aren't really meant for this sort of thing. You'll be in for it when they wake up if we don't get a move on." Not to mention the moths slowly suffocating in their jars. She can get to them in a moment, though. The cages are the greater concern. No longer her concern, but still.
He looks awfully put together, in a chaotic kind of way, and the side burns are... well, they're certainly something else. They're not a surprise, but still, seeing them in person is a different matter.
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He leads her to the formerly empty storage room, now outfitted with a variety of cages and tanks. The giant crab gives him pause; it will strain the boundaries of even the largest cage. Well, there is another storage room, that one with a Dutch door, and perhaps that will suffice.
Immediately he unlocks the cages and tanks and starts taking Nat's temporary containers, gently transferring each creature one at a time.
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She collapses the cages as he empties each one, and when they're down to the crab dog, growing increasingly furious in its plastic prison, throwing itself against the walls, she sits on top of it. It needs some sort of weight to keep it from forcing its temporary prison across the room, and she's heavier than she looks.
Before she brings up the matter of the moths, or what exactly his plan is for the irate crustacean, she opens the financial app on her device and brings up a screen so that he can pay her with his tap card. "Speaking of. Perhaps we should get the business angle of this wrapped up before any of that happens. You might find yourself suddenly extremely busy." She's also charging him for the plastic tub. He's free to make a case against paying for it, of course, but it's down there in the memo section.
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He checks the cages to make sure that the water bottles have been topped up and steps out into the hall again. He goes to the storage room with the Dutch door and unlocks the top and bottom halves. There's still some random odds and ends of furniture piled up in this one, but needs must and all.
"Here—you can release the crab into this room, and I will shut the door behind it."
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