ɢ ᴀ ᴍ ᴏ ʀ ᴀ. (
godslay) wrote in
riverviewlogs2018-01-28 11:27 pm
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Entry tags:
( closed ) he's a jukebox hero.
who: Gamora and Peter Quill
what: Beetles and crystals and dreams – oh my!
when: 20 January thru... later.
where: AROUND?
warnings: Beetle murder and later, genocide and trauma.
[ It's not every day the Perimeter Guard gets to deal with enormous beetles.
Giant monsters? Sure, most days.
These ones just happen to be especially large and bug-like and capable of doing far more damage than anyone is comfortable with. They breach the Abandoned City's walls before the Guard can respond, but in a matter of hours, it's all hands on deck. Peter and Gamora aren't part of the force that will push forward in the experimental mechs, but Gamora isn't fazed. They've dealt with unnecessarily big creatures in the past – back home and in the Quarantine – and despite the size of the herd of beasts, the Guard is fortunate enough to have numbers of its own.
So for now, they're playing ground support.
The Abandoned City is simultaneously an excellent location – given its vast and varied battlefields – and also wildly inconvenient depending on where they meet the beetles. Now, they find themselves pushing back against the insects on the front of a boardwalk on a riverside beach, caught between the water and empty, rundown buildings. Some of the behemoths simply step through the river, others knock aside old houses, smashing structures that dare stand near their horns.
One of the herd rears up as Gamora and her team advance. They're attempting to take out a leg, maybe hobble it or slow its progress, but it brings its mighty weight down and forces them all to scatter as a ruin collapses around their heads. Shouted commands, quick orders to move, take cover, get out of the damn way! and Gamora dives out of the path of a falling sheet of concrete just in time to avoid being crushed. She can't see Peter, can't see the rest of her squad through the dust in the air and the chaos around them, and just as she's trying to make sense of her surroundings, another creature swings its formidable horn low, sweeping over the riverbank and crushing a stretch of rickety wooden planks that line the boardwalk.
She darts forward again, ducking behind what used to be a storefront, now reduced to crumbling cement and glass. She grits her teeth, looking above her for a sign of another massive bug, but—
She's clear – at least for a second.
Her fingers are curled around the hilt of her sword, and she leans around the corner of the broken building, looking for anyone nearby, and—
The familiar and distinct sound of Peter's blasters. ]
Peter!
[ Shouted out across the chaos, through the debris and constant destruction of the beetles pushing relentlessly forward. ]
what: Beetles and crystals and dreams – oh my!
when: 20 January thru... later.
where: AROUND?
warnings: Beetle murder and later, genocide and trauma.
[ It's not every day the Perimeter Guard gets to deal with enormous beetles.
Giant monsters? Sure, most days.
These ones just happen to be especially large and bug-like and capable of doing far more damage than anyone is comfortable with. They breach the Abandoned City's walls before the Guard can respond, but in a matter of hours, it's all hands on deck. Peter and Gamora aren't part of the force that will push forward in the experimental mechs, but Gamora isn't fazed. They've dealt with unnecessarily big creatures in the past – back home and in the Quarantine – and despite the size of the herd of beasts, the Guard is fortunate enough to have numbers of its own.
So for now, they're playing ground support.
The Abandoned City is simultaneously an excellent location – given its vast and varied battlefields – and also wildly inconvenient depending on where they meet the beetles. Now, they find themselves pushing back against the insects on the front of a boardwalk on a riverside beach, caught between the water and empty, rundown buildings. Some of the behemoths simply step through the river, others knock aside old houses, smashing structures that dare stand near their horns.
One of the herd rears up as Gamora and her team advance. They're attempting to take out a leg, maybe hobble it or slow its progress, but it brings its mighty weight down and forces them all to scatter as a ruin collapses around their heads. Shouted commands, quick orders to move, take cover, get out of the damn way! and Gamora dives out of the path of a falling sheet of concrete just in time to avoid being crushed. She can't see Peter, can't see the rest of her squad through the dust in the air and the chaos around them, and just as she's trying to make sense of her surroundings, another creature swings its formidable horn low, sweeping over the riverbank and crushing a stretch of rickety wooden planks that line the boardwalk.
She darts forward again, ducking behind what used to be a storefront, now reduced to crumbling cement and glass. She grits her teeth, looking above her for a sign of another massive bug, but—
She's clear – at least for a second.
Her fingers are curled around the hilt of her sword, and she leans around the corner of the broken building, looking for anyone nearby, and—
The familiar and distinct sound of Peter's blasters. ]
Peter!
[ Shouted out across the chaos, through the debris and constant destruction of the beetles pushing relentlessly forward. ]
no subject
... Most of it.
[ Pitched quietly, reluctantly. ]
The lights. And the attack.
[ A longer pause, this time, and he studies her face. ]
And Thanos.
no subject
But "Thanos" leaves Peter's lips, and there's a flicker of a moment when her eyes widen by a fraction, a quick flash of horror before she shovels it away as she realizes what he's saying.
Thanos, and— undoubtedly, her mother.
She looks away from him, staring hard at a point across the apartment. ]
Then I don't need to explain myself.
[ Because he knows. Because he saw. ]
no subject
After a second of deliberation, he shakes his head, not forcing her to meet his gaze, though he still watches her carefully. ]
No, you don't. [ Softly, gently. ] Not unless you want to.
no subject
[ She isn't sure how she feels about that. She'd never told him exactly what Thanos had done to her parents, and it's easier to separate herself from the event, to be removed from it when it comes up if she's vague.
"He murdered my parents in front of me" is something that she can say in more unaffected tones; she's repeated that in her head over and over. But the visuals of it, the experience?
This is explicit. This is concrete. ]
no subject
Yeah. I guess so.
[ And he thinks back on what he saw – the slaughter, the destruction, the woman gripped in Thanos' giant hand. For a few heartbeats, Peter is silent before he slowly takes the ice pack from Gamora's hand, pressing it more securely over his aching shoulder. ]
You could... tell me who she was.
[ Though Peter has his assumptions already. ]
no subject
She could ignore the suggestion. She could brush it aside, and just... go to bed. Drop this and pretend it never happened. ]
... My mother.
[ It's quieter when it finally comes. Barely voiced. ]
She was my mother.
no subject
Still, his prediction doesn't really prepare him for the reality of the admission, and something bitter and cold twists in his chest for it. He could say, "I'm sorry," and he is horribly sorry for her, but Gamora has never seemed too fond of platitudes like that. ]
Is... is that how it happened?
no subject
Yes.
[ Clipped, through grit teeth.
She tries to take a sip from her coffee, but she finds she doesn't have the taste for it anymore. She pushes away from the counter, leaving her mug behind in favor of taking care of the coffeemaker, throwing away the filter and moving the pot to the sink. ]
no subject
The unfortunate thing is, he has no idea what to say, and his usual method of babbling until he hits on something doesn't seem appropriate in this case.
He drinks from his mug, if only to give himself something to do. ]
—I'm sorry.
[ —which is something he told himself he wouldn't say, because he knows how empty that feels. But what he means is— ]
For yelling at you, I mean. Back there. I didn't— I didn't realize...
no subject
He elaborates, and it gives her a moment of pause.
She wonders if she could have waited the nightmare out if he hadn't goaded her into fighting. Maybe she could have stayed among the dying flowers until the dream passed, and she could have avoided— all of that. Because this was so much worse than her usual preoccupying terrors, because this had been so real. She'd been experiencing it all over again, and even though she's no longer that weak, defenseless little girl, she still hadn't— she couldn't—
She shrugs before going back to turning on the sink to start some warm water. ]
I'm sure you thought it was something else.
no subject
Only back then, helping the helpless meant throwing punches against schoolyard bullies, not fighting back against ruthless, bloodthirsty tyrants. ]
... Doesn't matter what I thought. I shouldn't have talked to you like that.
[ Like she was an imposter. Like she was insane, when he was the one trying to run headlong into danger. ]
I'm sorry.
no subject
All right.
[ She starts to rinse the pot, focusing on the running water. ]
Whatever it was, it's over. We'll be more aware of it.
[ Because that had felt so distinct, so different from a normal dream. She hopes that means they cna pick it out, should it happen again. ]
We can see if anyone else reported something strange tomorrow.
[ And maybe get an explanation. ]
no subject
(Deflection-Lord.)
And for a second, he watches her, caught between wanting to press her, to make her talk this through, while another part wants to let it go, to let her work through it at her own pace.
He pulls the cold pack away from his shoulder, and though a lot of the chill has been sapped away into his skin, he still shifts it to press against the deep bruise on the right side of his rib cage.
Slowly, ]
It... felt weirdly real, didn't it?
[ Or maybe that was just Peter. Maybe that was just because he had been an unwelcome guest in it. ]
no subject
Yes.
[ More real than usual. Less like a dream, and more like— some uncomfortable reality. ]
That must have been part of whatever caused your presence.
[ That's the only explanation she can think of, anyway; whatever made Peter appear must have been responsible for the overall experience of the dream. ]
no subject
For the record, I haven’t done anything weird lately.
[ In case fingers are about to be pointed.
He’s been mostly cooped up in the apartment since the Attack of the Killer Beetles, which means he hasn’t messed with any of the magical junk that made its way through Quarantine. ]
I can forget what I saw, if that’s what you want.
no subject
She glances at him over her shoulder with a flat look. ]
No, you can't.
[ Of course he can't. He can't forget it any more than Gamora can, and it would be delusion to pretend like he was still in the dark. ]
no subject
He deflates a little, tucking his chin toward his chest. ]
No. I can’t.
[ And he sounds resigned, a little sheepish. Peter was bound to remember everything he saw for a long while yet – especially considering he had been the one to convince Gamora that eventually, they would have to move against Thanos, either of their own volition or because the Mad Titan forced their hands. ]
I guess I meant... we don’t have to talk about it if you don’t want to. That wasn’t something I should have seen, so...
no subject
I don't know what part you think needs to be discussed.
[ It had been pretty clearcut, as far as Gamora is concerned. Self-explanatory, in a very dark way. ]
It happened a long time ago.
no subject
I’m pretty sure we both know that’s not how it works.
[ Which is probably rich, coming from him, but— ]
Just ‘cause it happened when you were a kid doesn’t mean it just— stops being a thing.
no subject
[ Her tone is flat, stating a fact. ]
It happened years ago, and it's always the same.
[ She sets the coffee pot aside to dry, finally leaning her hip against the counter as she looks at Peter. ]
no subject
So— whenever you make me talk shit over. What’s that to you? Just— a waste of time?
no subject
She opens her mouth to immediately insist, "It's different," but she has to stop herself. Why is it different? Because it's her?
(Yes. As soon as it became her own issues, she wanted to sweep them under the rug because it's in the past.
... And isn't that insanely hypocritical?) ]
Yours isn't a waste of time, Peter.
no subject
[ His lips press into a thin line before he tosses the cold pack – lukewarm pack, now – onto the counter behind him. ]
Listen. If you don’t wanna talk about it, that’s fine. I get it. But don’t tell me you don’t wanna talk ‘cause it doesn’t matter anymore when it clearly does.
no subject
Another moment of quiet, and, finally, ]
I have replayed it in my mind for decades. I just don't see what discussing it now will do.
[ So not necessarily a waste of time, but—
Well. It does feel pointless. There's no way around that. ]
That's all.
no subject
... Okay.
[ Reluctantly, because Peter kind of figures that he can’t force her into talking about this anymore than he could beat her in a fist fight. She’s way more stubborn than he is, when she puts her mind to it, so if she’s determined that this isn’t something she wants to talk about? Then it won’t be. ]
But if you— ever need someone to listen, you know I’m your guy, right?
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