Captain James T. Kirk (
winscenario) wrote in
riverviewlogs2017-10-10 08:34 pm
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( open ) is this the place we used to love
who: Jim Kirk & YOU!
what: yet another memory share post to add to the pile (sorry guys)
when: 9th - 23rd
where: wherever you like
warnings: death (his own and other people), possibly some violence. nothing too terribly intense or graphic. will update if need be!
I ▹ DREAMSCAPE
II ▹ VISION
III ▹ VISION
IV ▹ DREAMSCAPE
[ ooc: if you'd like any other specific memories from any of the movies, feel free to let me know and I can write a starter for you! ]
what: yet another memory share post to add to the pile (sorry guys)
when: 9th - 23rd
where: wherever you like
warnings: death (his own and other people), possibly some violence. nothing too terribly intense or graphic. will update if need be!
I ▹ DREAMSCAPE
[ It's warm. It's too warm, even, the sun shining down on your head, making sweat form rapidly across skin. There's very little that offers shade too— everything is a vast wide open field, dried foliage and nothingness all around. There's an old and neglected barn not too far off, a tree well in the distance, and a beaten path that doesn't seem like it's used too often.
You'll recognize Jim, standing just to the side, eyes on that road. A car is coming in at some speed, gradually closer as it approaches the barn.
He's not really expecting company, not here of all places. What is there to see, anyway, in the middle of nowhere, Iowa? Hands in his pockets, he looks a little resigned, a little wistful, trying very hard for it not to come off as nostalgic as he turns around to greet whoever's just walked into his dream. ]
This isn't going to be terribly exciting, I'm afraid.
You'll recognize Jim, standing just to the side, eyes on that road. A car is coming in at some speed, gradually closer as it approaches the barn.
He's not really expecting company, not here of all places. What is there to see, anyway, in the middle of nowhere, Iowa? Hands in his pockets, he looks a little resigned, a little wistful, trying very hard for it not to come off as nostalgic as he turns around to greet whoever's just walked into his dream. ]
This isn't going to be terribly exciting, I'm afraid.
II ▹ VISION
[ The first few visions aren't clear or telling at all, but they are intense, loud, explosive. Sounds of people yelling, gunfire, the heat of minor explosions, the pain of broken glass piercing skin. You could swear you can feel your heart beat rapidly in your chest, a sense of panic and dread, then a deep, piercing grief you can't quite pinpoint or explain.
Eventually, the memory reveals itself completely. It starts with an attack, evidently a set-up, which comes to explain most of the feelings, the sense of fear, the rush of adrenaline. The grief, however, is only explained later, when you experience the rest of the memory. You don't know the dying man, but for a moment, it feels like you do. It feels like you love him greatly, and the loss comes with a strange sense of regret for things left unsaid. ]
Eventually, the memory reveals itself completely. It starts with an attack, evidently a set-up, which comes to explain most of the feelings, the sense of fear, the rush of adrenaline. The grief, however, is only explained later, when you experience the rest of the memory. You don't know the dying man, but for a moment, it feels like you do. It feels like you love him greatly, and the loss comes with a strange sense of regret for things left unsaid. ]
III ▹ VISION
[ This particular memory starts revealing itself with an unusual physical manifestation: pain. Or the memory of it, anyway. Wherever you are, there's a sudden, intense ache, there and gone in a moment, though it leaves your heart racing, your breath coming a little short. Panic comes soon after, and without knowing how to explain it, you find yourself terrified. Before you experience the memory in its entirety, you suddenly are sure of one thing: you're going to die.
But it's not until you experience the whole memory that you understand, that those sensations are explained, as well as the glimpses of the Vulcan whom you don't think you know, so much as feel you recognize. This memory is intense for a whole other set of reasons. It's quiet for the most part, but your heart beats too loudly, your breath comes out too ragged. You feel at a loss, cold, and completely alone. And it's terrifying to the last second, until your sight blurs and dissolves into pitch black. ]
But it's not until you experience the whole memory that you understand, that those sensations are explained, as well as the glimpses of the Vulcan whom you don't think you know, so much as feel you recognize. This memory is intense for a whole other set of reasons. It's quiet for the most part, but your heart beats too loudly, your breath comes out too ragged. You feel at a loss, cold, and completely alone. And it's terrifying to the last second, until your sight blurs and dissolves into pitch black. ]
IV ▹ DREAMSCAPE
[ You come to on a ship. It looks a little worn and like it shouldn't be able to withstand flight, and yet here it is, going at an impressive speed across space. Scarier than that, though, is what can be seen on the view screen: thousands and thousands of small vessels, working in perfect coordination, taking a shape of sorts as they seemingly prepare to attack.
Among the very small crew on the bridge, there's a perfect reflection of Jim sitting in the captain's chair, fingers curling tight into the armrest. They all seem completely unaware of both your presence, and the only one who makes a note of you being there is the other Jim, in casual clothes and hair a little longer, glancing between you and the scene as he takes a moment to piece together what's happening here. ]
The swarm ships are doubling back, they are forming an attack wave, sir. [ Chekov warns the captain, to which he answers promptly, like the commands were keyed in already, just waiting for the right time. ]
We've got their attention. [ More of a murmur than anything, then— ] Hold steady, Mr. Sulu. Brace yourselves, everybody. Spock, stand by to drop out of formation. Scotty, you all cued up back there?
[ Scotty, bent over a console, nods. ] Aye, sir!
[ The Jim standing next to you smiles a little, raising his eyebrows and tipping his head. ] We should listen to my advice. This ride's about to get bumpy.
Among the very small crew on the bridge, there's a perfect reflection of Jim sitting in the captain's chair, fingers curling tight into the armrest. They all seem completely unaware of both your presence, and the only one who makes a note of you being there is the other Jim, in casual clothes and hair a little longer, glancing between you and the scene as he takes a moment to piece together what's happening here. ]
The swarm ships are doubling back, they are forming an attack wave, sir. [ Chekov warns the captain, to which he answers promptly, like the commands were keyed in already, just waiting for the right time. ]
We've got their attention. [ More of a murmur than anything, then— ] Hold steady, Mr. Sulu. Brace yourselves, everybody. Spock, stand by to drop out of formation. Scotty, you all cued up back there?
[ Scotty, bent over a console, nods. ] Aye, sir!
[ The Jim standing next to you smiles a little, raising his eyebrows and tipping his head. ] We should listen to my advice. This ride's about to get bumpy.
[ ooc: if you'd like any other specific memories from any of the movies, feel free to let me know and I can write a starter for you! ]
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She stumbles back, gasping, her nurse rushing to her side with concern. Though everyone at the hospital knows of these memory-sharing occurrences by now, and know it's nothing permanent, they send her home for the day anyway. As soon as she's back at her apartment and calmed down somewhat, she picks up her phone to call.
"Jim? Jim, it's Beverly... I think... I think we need to talk. I just saw one of you memories." Or rather, his memory of Spock's memories. The supernova. It can't... not after all the work Spock has put into reunifying Vulcan and Romulus.
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But when she calls her, he can't help being a little worried. She's evidently upset, and if she's calling him specifically to talk about it, then he has to guess it can't have been an easy memory. "Alright," he clears his throat into the phone, pausing for a second or two. "Uh... I'm home right now. Can you come by, or would you rather I meet you elsewhere?"
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She pauses, considering another factor. "Or if Leonard's there too, I imagine that will be all right. I can't imagine it's anything he doesn't know about already." It would be impossible, in fact, for him not to know about Vulcan, or of Romulus before it. "I can be over there in a few minutes."
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Well, Bones does know about Vulcan and Romulus, of course, but the mind meld is another matter entirely. Jim hasn't really told anyone about that, or about how much it affected him, and for how long. Not that it really matters one way or the other, it'd just be weird to tell Bones now, after nearly six years have passed.
Ending the call, he waits around for Beverly to get there, mentally listing all the memories she might want to talk about.
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"Don't mention it. Come on right in— and feel free to shoo her away if she bothers you," he gestures vaguely towards Petunia the chicken, prancing around the living room and the outside. "Want anything to drink?"
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As if to show this, he leans down closer to the floor, holding a hand out. "C'mere! Come on, girl!" The chicken promptly trots over so Jim can pet her along the back. "Good bird," he coos a little, grinning at Beverly. "Bones hadn't told you about Petunia yet?"
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"He has not!" She squats down next to Petunia and gently strokes her abundantly fluffy feathers. "Nice to meet you Petunia!"
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"Yes, well... there you have it, we're the proud parents of a fluffy chicken," he says with an amused lilt to his tone. Petunia puffs up her chest, preening her feathers at Beverly's attention. "Anyway, what did you want to talk about?"
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He didn't have a whole lot of memories with him, admittedly, so he has a fairly good notion of what Beverly might've seen.
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She works with him, probably sees him almost every day. He wouldn't be surprised if he'd told Beverly about it already.
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Of course, she has to remind herself, there's a whole universe between them still.
"If I recall correctly, there used to be a great stigma against using the mind meld. Vulcans who used it, even consensually, were outcast. So I suppose it wasn't something they were ready for other species to know about yet - Vulcans have a much longer memory than us, after all."
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